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Gladnyhet: En million kroner til residensordning i Oslo

Oslo Kommunes budsjettforslag 2022: En million til Safemuse residensordning

September 22, 2021
Residensartisten Mai Khoi skal spille på Cafeteatret i 2022. Foto: mai-khoi.com

EN GLEDENS DAG

I ettermiddag ble Oslo Kommunes budsjettforslag for 2022 endelig lagt frem, og gleden var stor da Safemuse mottok beskjeden om byrådets innstilling på en million kroner til etablering og drift av residensordning i Oslo for truede, forfulgte og sensurerte kunstnere, i samarbeid med Nordic Black Theatre. 

Safemuse setter kunstnerisk ytringsfrihet på dagsorden gjennom ulike prosjekter og samarbeid. Arbeidet med å etablere en fast trygg residens i Oslo har pågått over lang tid og prosjektet vil støtte opp under den frie kunsten ved å skape trygge arbeidssteder for truede og forfulgte kunstnere fra hele verden. I tillegg vil prosjektet underbygge målet om Oslo som en internasjonal by med lokal forankring og bidra til kunst- og kulturlivet lokalt og nasjonalt.

Daglig leder i Safemuse, Jan Lothe Eriksen. Foto: Even Finsrud / Musikk-Kultur

“Dette er jo helt strålende!” utbrøt Jan Lothe Eriksen, daglig leder i Safemuse, etter å ha mottatt nyheten om budsjettforslaget. “Etter flere års arbeid for å få dette til ser vi nå stor forståelse og entusiasme hos politisk ledelse i Oslo kommune for Safemuse sitt arbeid. Med dette vil vi i samarbeid med Nordic Black Theater og andre gode støttespillere gi hardt prøvede og truede kunstnere rundt i verden unike muligheter til å arbeide i fred for sensur og forfølgelse, i samarbeid med kunstnere i Oslo. Oslo-publikummets møte med disse kunstnerne vil også gi en mulighet til å skape større forståelse for betydningen av kunstnerisk ytringsfrihet og kunstens rolle i samfunnet.”

Tara Abdullah: The Girl from The Cigarette Factory

Through painting, performance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation.

erformance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation.

erformance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation....

© Safemuse Organisation - Oslo/Norway

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Administration Conference/Meeting News Safe Residencies

Artist in residence meets engaged youth

ARTIST IN RESIDENCE MEETS ENGAGED YOUTH

October 10, 2020

DANCE, FREEDOM AND THE POWER OF ART

For the fourth year Safemuse visited Solidaritetsungdommen, Norwegian People Aids’ youth organization, at their annual seminar at Utøya.

“Gato has been dancing since he was fifteen. For him dancing isn´t just a way of expression, but the way of expressing himself. When he dances others listen, they stop. They see the possibility of a different world. That is why he is dangerous. Because Hope is dangerous. Because youths with hope are youths that create change. And those who don’t want change are those in power. They are threatened by Gato, by dance, by arts’ ability to make people feel.”

Celina Jerman Bright-Taylor, Safemuse  

 

«People change the world» is the slogan of Norwegian People Aid and Solidaritetsungdommen. Safemuse visited their seminar at Utøya a weekend in September, to talk about the importance of art and artistic freedom, and how art contributes to changing the world. 

 

We screened the documentary B-Boys for life that documents the life of our artist in residence Carlos «Gato» Catuns’ break dance crew in Guatemala City. The documentary describes the brutality of the gangs, but also shows the power they have in society.

 

As well as showing the documentary Gato also participated in a conversation together with Nicolai Lopez and Celina Jerman Bright Taylor from Safemuse about the importance of art as an alternative to criminality. He spoke about how dancing changed his life and how it gives youths an opportunity to find a community somewhere else than amongst the gangs that control large parts of Guatemala.

 

After the conversation we had the opportunity to continue the talk with engaged youths that use their spare time to contribute to different parts of Norwegian Peoples Aids’ work. It was moving to experience Utøya filled with young people that want to create change. It gave hope for change also in Guatemala.

 

Utøya is an island in the Tyrifjorden lake about 38 km northwest of Oslo city centre. Utøya is owned by the Workers’ Youth League (AUF), a youth group associated with the Labour Party in Norway.


On 22 July 2011, a mass shooting took place at the AUF’s summer youth camp, where over 500 young people were staying. The perpetrator, Anders Behring Breivik arrived at the island after setting off a car bomb in the Government Quarter in Oslo. 


Combined, the attacks in Oslo and Utøya left 77 dead, with 69 killed on the island. 

 

For more information, see the 22 July Centre.

Tara Abdullah: The Girl from The Cigarette Factory

Through painting, performance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation.

erformance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation.

erformance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation....

© Safemuse Organisation - Oslo/Norway

Categories
News Safe Residencies

MAI KHOI TO HELSINKI

Mai Khoi starting up her program in Helsinki tonight

March 16, 2018

The Vietnamese artist and activist who released her first LIDIO-album in Oslo at Music Freedom Day 3 March is now opening her short term residency in Helsinki tonight at the Malaga Bar.

Since her visit to Oslo and the Music Freedom Day event organized by SafeMUSE (in cooperation with by:Larm and Freemuse), Mai Khoi has ben a guest at the One World International Human Rights Documentary Film Festival in Prague, and yesterday she took part in the Freemuse launch of The State Of Artistic Freedom 2018 report at Swedish PEN in Stockholm.

Mai Khoi’s residency at AR-Safe Haven Helsinki is curated by Perpetuum Mobile(PM) as part of Artists at Risk (AR). This residency is organized in co-operation with SafeMuse. It is funded by the Department of Culture of Helsinki City.

Mai Khoi’s performances in Helsinki are being co-hosted and programmed in cooperation with the Finnish Music Council / Finnish Musicians’ Union, and funded by a Perpetuum Mobile grant from the Finnish Cultural Fund (SKR).

More information:
Malaga Bar on the 16th of March.
G Livelab on the 25th of March

Tara Abdullah: The Girl from The Cigarette Factory

Through painting, performance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation.

erformance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation.

erformance, installation, and public interventions, Tara Abdullah gives visibility to silenced experiences. Transforming personal memories into collective encounters, her work explores themes of shame, displacement, resistance, and liberation....

© Safemuse Organisation - Oslo/Norway