THE SOLIDARITY CONFERENCE 2021: A conversation with Maryam Sharifi

September 30, 2021
In a conversation with Safemuse's Akari Izumi Kvamme, Maryam Sharifi shared her experiences and reflections as an Afghani woman and cultural activist. Photo: Ortenheim Photography.

Earlier this month, the Norwegian Peoples Aid Solidarity Youth’s annual conference took place on the island of Utøya. At the Solidarity Conference 2021, dozens of passionate youth from all over Norway gathered to discuss local and global politics, share their reflections with invited guests and meet old and new friends. On the 11th of September, Safemuse attended the conference together with Maryam Sharifi who shared her story and experiences from life as a woman and cultural activist in Afghanistan.

Life as a woman in Afghanistan

Maryam Sharifi is an afghani cultural activist and festival organiser. She grew up in a war-torn Afghanistan during the Taliban’s first reign of terror in the nineties and early 2000s. It was a time when girls were not allowed to attend school and women were denied participation in public life. Maryam and her sisters stayed at home all day to weave carpets by hand in order to help her family make a living. Although the Taliban’s loss of power in 2001 opened up to some new opportunities that Maryam previously did not have, life as a young woman continued to be challenging. Recently, with the country once again having fallen into the hands of the Taliban, Maryam is increasingly worried about the situation for girls and women in Afghanistan. “Back then it was difficult to work, but now it is impossible,” she says.

“Back then it was difficult to work, but now it is impossible.”

Maryam is concerned about the situation we see today, the future of Afghani people, and women, artists, journalists and human rights activists in particular. She describes the desperation expressed by friends and family back home whom she is in touch with. “It just makes me so sad. Many people have contacted me to ask if I can help them. I have an artist friend who had to quit painting and just stay at home.” Maryam is concerned that the situation is going to get worse. “I don’t know why so many people are referring to a so-called ‘New Taliban’ – there is nothing new about them, they have not changed, they continue to abuse journalists, persecute opponents and carry on as they want.” Although Maryam finds it difficult to see much hope for the near future of Afghanistan, she honours the many strong women and civilians who risk their lives by publicly speaking up or taking to the streets to demonstrate against the Taliban regime and the limits imposed on girls and women. 

A group hug with some of the particpants after the talk. Photo: Ortenheim Photography

A Night with Buddha

In 2001, the Taliban destroyed two world heritage listed Buddha-statues, carved into a mountainside, in Bamiyan. Twelve years later, in 2013, Maryam started the festival “A Night with Buddha” to commemorate the statues, create dialogue and raise awareness around the importance of culture, art and identity. Maryam describes the event as an attack on the identity of the people and felt it was important to oppose the mindset of the Taliban and the systematic attacks on art, artists, women and human rights. Although it was possible for a woman to organise the festival as a woman, the challenges were numerous and many groups attempted to oppose and hinder the festival from taking place.

Ethnic discrimination and power-scrambles

Maryam describes long-seated tensions and power-scramble between the four largest ethnic groups in Afghanistan. “My husband worked with Hazara-music, and so many reacted negatively to his work. They asked questions about why he was playing Hazara-music or singing in his local dialect. Our music, our faces and our dialect were haram (shame).” Hamid received many threats and was attacked on several occasions. It culminated when he was attempted run over by a car. Hamid survived, but broke his arm and was not able to play his instrument for two years.  

“Our music, our faces and our dialect were haram.”

Moving to Norway 

Maryam and her husband Hamid Sakizada were forced to leave Afghanistan when it got too dangerous to stay there. In 2013 they were able to find refuge in Harstad, a small city in the north of Norway, as part of the ICORN program. Although it has been difficult to be so far away from her family, the support from Safemuse, ICORN, the municipality of Harstad and locals has helped Mariam and Hamid to rebuild their lives in Norway.  Mariam has been able to put her experiences from Afghanistan to good use and has for the past two years been involved with the local cultural festival, “Festspillene i Nord-Norge”. 

Speak of Afghanistan

When asked by a youth participant about what young people outside Afghanistan can do to help, Maryam answers: “I always say, don’t be silent. Speak about Afghanistan. Speak of the women who don’t have the same rights as us. Speak of the children who are not allowed to go to school. The Taliban has so much power, but we need to raise our voices, and there is so much power in youth. So, I beg you, speak of Afghanistan.” 

“The Taliban has so much power, but we need to raise our voices, and there is so much power in youth. So, I beg you, speak of Afghanistan.” 

“Qaf” – New album release from Ghawgha

About us Support us “Qaf” – Ghawgha releases new album On the 12th of November, Ghawgha will release her album “Qaf” at Victoria Nasjonal Jazzscene in Oslo. “Qaf” can be translated as a place of refuge, or an inner home where one meets one’s true self. The album is produced by OK World in cooperation

“Qaf” – Ghawgha releases new album On the 12th of November, Ghawgha will release her album “Qaf” at Victoria Nasjonal Jazzscene in Oslo. “Qaf” can be translated as a place of refuge, or an inner home where one meets one’s true self. The album is produced by OK World in cooperation

“Qaf” – Ghawgha releases new album On the 12th of November, Ghawgha will release her album “Qaf” at Victoria Nasjonal Jazzscene in Oslo. “Qaf” can be translated as a place of refuge, or an inner home where one meets one’s true self. The album is produced by OK World in cooperation ...

“The Common Enemy” by Nikan Khosravi

About us Support us “The Common Enemy” – Violations Against Metal Bands: Reasons Beyond Religion Written by Nikan Khosravi, intern in Safemuse and founding member of the band Confess Metal music as a global phenomenon has always been a threat to the establishments. (Photo credit: James Bento) Interlude: Why This Matters to Me As the

“The Common Enemy” – Violations Against Metal Bands: Reasons Beyond Religion Written by Nikan Khosravi, intern in Safemuse and founding member of the band Confess Metal music as a global phenomenon has always been a threat to the establishments. (Photo credit: James Bento) Interlude: Why This Matters to Me As the

“The Common Enemy” – Violations Against Metal Bands: Reasons Beyond Religion Written by Nikan Khosravi, intern in Safemuse and founding member of the band Confess Metal music as a global phenomenon has always been a threat to the establishments. (Photo credit: James Bento) Interlude: Why This Matters to Me As the ...

Altyn Kapalova — A fearless advocate for feminist and queer art

About us Support us Altyn Kapalova — A fearless advocate for feminist and queer art Altyn Kapalova – former Safemuse artist-in-residence and a woman of many trades and talents. (Photo: Courtesy of artist) Altyn Kapalova is a woman of many trades and talents: a visual artist, researcher, writer and feminist activist based in Bishkek, Kyrgyzstan.

Altyn Kapalova — A fearless advocate for feminist and queer art Altyn Kapalova – former Safemuse artist-in-residence and a woman of many trades and talents. (Photo: Courtesy of artist) Altyn Kapalova is a woman of many trades and talents: a visual artist, researcher, writer and feminist activist based in Bishkek, Kyrgyzstan.

Altyn Kapalova — A fearless advocate for feminist and queer art Altyn Kapalova – former Safemuse artist-in-residence and a woman of many trades and talents. (Photo: Courtesy of artist) Altyn Kapalova is a woman of many trades and talents: a visual artist, researcher, writer and feminist activist based in Bishkek, Kyrgyzstan. ...

OPEN CALL – Oslo and Hvitsten Art Haven 2025!

About us Support us OPEN CALL – Oslo and Hvitsten Art Haven 2025! June 14, 2024 Artistic freedom of expression, solidarity and collaboration In 2022 Safemuse invited for the first round of safe residency placements in the Norwegian capital, Oslo, in cooperation with Nordic Black Theatre. Two six month residencies open for artists from all

OPEN CALL – Oslo and Hvitsten Art Haven 2025! June 14, 2024 Artistic freedom of expression, solidarity and collaboration In 2022 Safemuse invited for the first round of safe residency placements in the Norwegian capital, Oslo, in cooperation with Nordic Black Theatre. Two six month residencies open for artists from all

OPEN CALL – Oslo and Hvitsten Art Haven 2025! June 14, 2024 Artistic freedom of expression, solidarity and collaboration In 2022 Safemuse invited for the first round of safe residency placements in the Norwegian capital, Oslo, in cooperation with Nordic Black Theatre. Two six month residencies open for artists from all ...

Når kunsten er å gjøre motstand

About us Support us Når kunsten er å gjøre motstand​ Den iranske rapperen Toomaj Salehi er dømt til døden for å bruke kunsten sin til å formidle motstand til det autoritære regimet i hans hjemland. En kunstner er dømt til døden. En stemme skal stilnes. Presteregimet har talt. Den iranske musikeren Toomaj Salehi får ikke

Når kunsten er å gjøre motstand​ Den iranske rapperen Toomaj Salehi er dømt til døden for å bruke kunsten sin til å formidle motstand til det autoritære regimet i hans hjemland. En kunstner er dømt til døden. En stemme skal stilnes. Presteregimet har talt. Den iranske musikeren Toomaj Salehi får ikke

Når kunsten er å gjøre motstand​ Den iranske rapperen Toomaj Salehi er dømt til døden for å bruke kunsten sin til å formidle motstand til det autoritære regimet i hans hjemland. En kunstner er dømt til døden. En stemme skal stilnes. Presteregimet har talt. Den iranske musikeren Toomaj Salehi får ikke ...

Skal UDI ødelegge for kunsten?

About us Support us Skal UDI ødelegge for kunsten? Debattinnlegg skrevet av: Celina Jerman Bright-Taylor (daglig leder i Safemuse) og Heidi Marie Kriznik (programmedarbeider i Safemuse)   For at kunsten skal kunne redde oss, må det legges til rette for det. Økonomisk ja, men også ved å sikre de stemmene som risikerer alt for at

Skal UDI ødelegge for kunsten? Debattinnlegg skrevet av: Celina Jerman Bright-Taylor (daglig leder i Safemuse) og Heidi Marie Kriznik (programmedarbeider i Safemuse)   For at kunsten skal kunne redde oss, må det legges til rette for det. Økonomisk ja, men også ved å sikre de stemmene som risikerer alt for at

Skal UDI ødelegge for kunsten? Debattinnlegg skrevet av: Celina Jerman Bright-Taylor (daglig leder i Safemuse) og Heidi Marie Kriznik (programmedarbeider i Safemuse)   For at kunsten skal kunne redde oss, må det legges til rette for det. Økonomisk ja, men også ved å sikre de stemmene som risikerer alt for at ...

I hope to rediscover freedom of speech

About us Support us I hope to rediscover freedom of speech Varun Narain interviewed in BLIKK magazine Varun Narain is a queer puppeteer and live performance director from India. He combines modern and traditional puppetry and works on articulating gender fluidity and sexuality. Narain has taught Puppetry and contemporary communication at Jamia Millia University for

I hope to rediscover freedom of speech Varun Narain interviewed in BLIKK magazine Varun Narain is a queer puppeteer and live performance director from India. He combines modern and traditional puppetry and works on articulating gender fluidity and sexuality. Narain has taught Puppetry and contemporary communication at Jamia Millia University for

I hope to rediscover freedom of speech Varun Narain interviewed in BLIKK magazine Varun Narain is a queer puppeteer and live performance director from India. He combines modern and traditional puppetry and works on articulating gender fluidity and sexuality. Narain has taught Puppetry and contemporary communication at Jamia Millia University for ...

Varun Narain – A universe of puppetry, botany & queer survival

About us Support us ARTIST-IN-RESIDENCE VARUN NARAIN: A universe of puppetry, botany & queer survival Varun Narain held an an artistic intervention at the Artistic Freedom Conference 2024 in Oslo. Photo: Jannik Abel If you find yourself in Oslo between the 10th and 13th of March, you have the rare opportunity to experience ‘Dark&Delicious’ by

ARTIST-IN-RESIDENCE VARUN NARAIN: A universe of puppetry, botany & queer survival Varun Narain held an an artistic intervention at the Artistic Freedom Conference 2024 in Oslo. Photo: Jannik Abel If you find yourself in Oslo between the 10th and 13th of March, you have the rare opportunity to experience ‘Dark&Delicious’ by

ARTIST-IN-RESIDENCE VARUN NARAIN: A universe of puppetry, botany & queer survival Varun Narain held an an artistic intervention at the Artistic Freedom Conference 2024 in Oslo. Photo: Jannik Abel If you find yourself in Oslo between the 10th and 13th of March, you have the rare opportunity to experience ‘Dark&Delicious’ by ...

Fri Kunst dagskonferanse 2024 / Artistic Freedom Conference 2024

About us Support us FRI KUNST DAGSKONFERANSE 2024 / ARTISTIC FREEDOM CONFERENCE 2024 Fri Kunst konferanse, 1. mars på Riksscenen, Oslo For tredje året på rad arrangerer Safemuse en dagskonferanse på Riksscenen under Fri Kunst-uken i begynnelsen av mars. Dagen byr på samtaler som setter søkelys på den frie kunsten og kunstneres endringskraft og rolle

FRI KUNST DAGSKONFERANSE 2024 / ARTISTIC FREEDOM CONFERENCE 2024 Fri Kunst konferanse, 1. mars på Riksscenen, Oslo For tredje året på rad arrangerer Safemuse en dagskonferanse på Riksscenen under Fri Kunst-uken i begynnelsen av mars. Dagen byr på samtaler som setter søkelys på den frie kunsten og kunstneres endringskraft og rolle

FRI KUNST DAGSKONFERANSE 2024 / ARTISTIC FREEDOM CONFERENCE 2024 Fri Kunst konferanse, 1. mars på Riksscenen, Oslo For tredje året på rad arrangerer Safemuse en dagskonferanse på Riksscenen under Fri Kunst-uken i begynnelsen av mars. Dagen byr på samtaler som setter søkelys på den frie kunsten og kunstneres endringskraft og rolle ...

Meet our newest staff members

About us Support us Meet our newest staff members Heidi Marie Kriznik (left) and Tiril Ellingsen Thue are the newest additions to Safemuse’s administration. Photo: Espen Tollefsen / Akari Izumi Kvamme We are happy to present Safemuse’s newest staff members: Tiril Ellingsen Thue and Heidi Marie Kriznik. Tiril has been involved with Safemuse since last

Meet our newest staff members Heidi Marie Kriznik (left) and Tiril Ellingsen Thue are the newest additions to Safemuse’s administration. Photo: Espen Tollefsen / Akari Izumi Kvamme We are happy to present Safemuse’s newest staff members: Tiril Ellingsen Thue and Heidi Marie Kriznik. Tiril has been involved with Safemuse since last

Meet our newest staff members Heidi Marie Kriznik (left) and Tiril Ellingsen Thue are the newest additions to Safemuse’s administration. Photo: Espen Tollefsen / Akari Izumi Kvamme We are happy to present Safemuse’s newest staff members: Tiril Ellingsen Thue and Heidi Marie Kriznik. Tiril has been involved with Safemuse since last ...