ARTISTS

Since 2013, Safemuse has hosted over thirty international residency artists from an array of artistic genres. In addition, the organisation has collaborated on numerous projects with various artists in need of support, both in Norway and abroad.

Safemuse residency artists

Since the permanent residency programme was established in 2021, Safemuse has worked with the following artists. NB: Some names have been omitted due to security reasons:

Kai Mata (Indonesia) is a leading queer artist, working as a professional musician, songwriter, and speaker. Through her music and public engagement, she raises awareness of LGBTQIA issues and advocates for visibility, rights, and community-building for sexual and gender minorities, creating a platform for LGBTQIA liberation in a country where legal censorship and societal discrimination remain significant challenges. With over five million streams, Kai has transformed hate speech into powerful pride anthems, propelling her onto festival stages across six continents, leading to speaking engagements at the United Nations on the role of art as a cultural catalyst, and establishing her as a founding organizer of Pride in Bali. Kai began her residency at Oslo Art Haven in May 2026. During her stay, she has participated in the Young Experts Seminar at Utøya and WEXFO 2026, and performed at the opening of Oslo Pride at SALT Art & Music, as well as at Hvitsten Art Haven.

Xuan Trang Nguyen Thi (Vietnam) is a film director and producer with nearly 20 years of experience in international cinema. She is known for her commitment to independent storytelling and high-profile Southeast Asian collaborations. After producing award-winning films such as the 2024 Cannes contender Viet and Nam and the 2025 Locarno Golden Leopard winner Hair, Paper, Water…, she made her directorial debut with the short film After Taste. Trang arrived at Hvitsten Art Haven in April 2026. During her residency, she is actively developing her first feature-length documentary, Land of Evanescence, which explores personal identity and the experience of growing up within a changing society and a demanding national education system. The project has been presented at Cannes Docs at the Cannes Film Festival and screened at Deichman in Oslo and Mølen in Hvitsten, bringing together Norwegian film experts to gather feedback and support the finalization of the film.

Tara Abdullah (Iraq) is a kurdish multidisciplinary artist from Sulaymaniyah whose practice explores women’s rights, resistance to violence, environmental awareness, and questions of identity and belonging. Working across painting, sculpture, installation, and performance she combines personal experience with broader social and political concerns. Since arriving in Oslo in February 2026, Tara has actively developed her artistic practice while engaging with new contexts, collaborations, and audiences. She has participated in a panel discussion and made an artistic intervention at Riksscenen, collaborated with Mesén to open the conference Voices in Public Art with a performance and video screening, and taken part in Oslo Open 2026, showing her studio practice and presenting new paintings alongside a work-in-progress installation created during her residency. She has also exhibited a new site-specific installation at the Lyse Netter Art Festival and participated in the mini-residency Rafiki and Friends at Hvitsten Art Haven. Tara will continue her residency there, developing new work for Hvitsten Salong.

Nurperi Orunbaeva (Kyrgyzstan) is a multidisciplinary artist and curator at the Museum of Feminist and Queer Art (MoFA+) in Bishkek. Working across painting, drawing, sculpture, installation, textiles, and public art, she explores women’s experiences of oppression, resilience, and transformation. Her work connects past and present, translating personal and collective histories into powerful contemporary visual narratives. Nurperi spent her residency at Hvitsten Art Haven from spring to autumn 2025, followed by an extension during the winter of 2025 at our partner institution, Nordic Artists’ Centre Dale. During her residency time, she created and exhibited new works at Hvitsten Salong, Gamle Munch, and Tegneforbundet. She has also developed and facilitated several workshops as part of the Masahat Festival and Hvitsten Salong programmes, further expanding her research and artistic development through exchange and collaboration.

Eddie Htet Aung Lwyn (Myanmar) have been an artist-in-residence at Oslo Art Haven since June 2025. Eddie is a storyteller working primarily through the mediums of cinema, photography, and writing. Their practice explores the complexities of gender and sexuality, as well as the transformation of identity through experimental forms of storytelling. During their residency, Eddie developed the script for their first feature-length film, participated in local film festivals, and curated a film event Burmese Queer Film Dispatch at Nordic Black Theatre. This period of research and artistic development has allowed Eddie to deepen their engagement with queer narratives and expand their cinematic practice within Norwegian cultural landscape.

Vera Shysh (Belarus) is an independent animation director and painter. For security reasons, her name has been changed, and biographical details remain confidential due to ongoing repression in Belarus, where political persecution and restrictions on artistic freedom continue. Vera participated in Safemuse’s artist-in-residence programme during spring – autumn 2025, developing her practice in a safe and supportive environment at Hvitsten Art Haven. During her residency, she exhibited her work at Hvitsten Salong, Tegneforbundet, and Terminal B. She also facilitated workshops for children in Hvitsten and Vestby.

Thinh Nguyên (Vietnam) is an artist working with photography and film. His practice explores the impact of urbanization, displacement, and social change on individuals and communities, focusing on questions of place, memory, and belonging. Working between documentary and staged photography, Nguyên creates visual narratives that address both local realities and broader global issues, highlighting the human dimensions of migration, development, and changing landscapes. During his residency, which he began in June 2024, Thinh developed his practice at Oslo Art Haven and Hvitsten Art Haven, followed by a residency at our partner institution, Artists’ Centre Dale. He exhibited his photographs at Tegneforbundet and worked on his first photobook in collaboration with artist Linda Bournane Engelberth. The book was published in 2026 and launched at Fotografiens Hus with an accompanying artist talk.

Andrei Busel (Belarus) is a visual artist. He was imprisoned in Belarus and left the country immediately after his release for fear of being imprisoned again. He arrived in Oslo in the fall of 2022 as a Safemuse artist-in-residence. Andrei combines his architectural work with artistic interventions and has participated in a number of group exhibitions and street art festivals. During the residency period, he was part of a studio community in Oslo and participated, among other things, with new works in a collective exhibition at Bryn.

Varun Narain (India) is a puppeteer from Delhi was an artist-in-residence between the fall of 2023 and the spring of 2024. Varun identifies as queer, and has faced artistic restrictions from the rapidly growing Hindu nationalism in India. During his residency, Varun showed his performance Dark&Delicious during the Safe Havens conference in Athens and at the Nordic Black Theatre in Oslo.

Wang Chong (China) is the founder of Beijing-based performance group Théâtre du Rêve Expérimental. He is the most internationally commissioned Chinese theater director. His works have been performed in more than 20 countries. Wang’s productions include: The Warfare of Landmine 2.0 (2013 Festival/Tokyo Award), Lu Xun (2016 Beijing News Best Chinese Performance), Teahouse 2.0, (2018 One Drama Awards Best Little Theater Work), Waiting for Godot (live online performance with 290,000 audience), and The Plague (live online performance with artists working from 6 continents). He has been a global nomad since 2022. Website: www.theatrere.org

Altyn Kapalova (Kyrgyzstan) is an artist, writer, queer activist, curator and researcher. Among other things, she was one of the initiators behind Kyrgyztan’s first Feminnale – “Feminist Biennale of Contemporary Art” – and also founded the Museum of Feminist and Queer Art (MoFA+). Altyn was an artist-in-residence at Hvitsten Art Haven in the fall of 2023. During her residency, she worked on an elaborate textile piece that was later exhibited in Norway. She also participated in various artist and panel talks in Norway and during the Safe Havens conference in Athens.

Bertony Louis (Haiti) is an award-winning poet who was Safemuse’s artist-in-residence in Oslo during summer of 2024. Through his poetry, Bertony explores the intersection of poetry and the natural world, environmental challenges and the ocean. During his residency Bertony had two poetry recitals in Oslo: At Nordic Black Theatre and the launch of a new edition of the publication “Mellom”, which took place at La Perla and focused on Caribbean literature in translation. He has been a Fellow in residence at the University of Glasgow and is currently Harvard at Risk Fellow at the Hutchins Center at Harvard University.

Pouya Pour-Amin (Iran) began his professional artistic journey in 2003 as a musician and composer. Since 2011, he has expanded his work to include theatre, taking on roles as a musician, actor, and director. Today, Pouya continues to evolve as a multidisciplinary artist, blending music, performance, and theatre in his creative practice with the support of Hvitsten Art Haven. Since arriving Norway as an artist-in-residence, Pouya has composed and performed at the Hvitsten Salong and Ultimafestivalen – the largest contemporary music festival in the Nordic region.

Saba Pouyeshman (Iran) has a background in screenwriting from Tehran University of Art. In addition, she has studied the history of modern art and attended acting school and has performed in several theatre productions and short films. She has also pursued visual arts and during her residency she exhibited her work “Mølen Sky” at the art festival Hvitsten Salong.

Carlos “Gato” Quintana Catún (Guatemala) is a breakdancer and performer. Gato arrived Norway in 2019 as an artist-in-residence with Safemuse. Since then, he has had solo performances, as well as many artistic collaborations with key people in the Norwegian breakdance, music and theatre scene.

WHOSE VOICES ARE BEING HEARD

The following five artists were part of the residency programme Who’s voices are getting heard, financed through EEA grants. The project was a residency and exchange project in collaboration with the Wroclaw Institute of Culture. The residency focused on artists with a high artistic level and minority background, who necessarily do not get the same opportunities as majority artists. The residency in Hvitsten resulted in the exhibition of works during the local art festival, Hvitsten Salong 2023.

Kate Ngan WaAo (Macau)
David Puszyński (Poland)
Saitip Majewska (Thailand)
Viktoriia Toofan (Ukraine)
Oleksandra Balytska (Ukraine)

Collaborative artists

In addition to our artistic residency programme, Safemuse also collaborates with international artists in need of support and guest artists who arrive in Norway and Scandinavia through the ICORN-network. Safemuse’s founder Jan Lother Eriksen was one of the initiators behind the Norwegian city of Harstad becoming the world’s first Safe Music Haven in 2012.

Some of these collaborations have resulted in the recording and release of solo albums:

Ghawgha Taban (Afghanistan)
Hamid Sakhizada (Afghanistan)
Abazar Hamid (Sudan)
Chris Gera (Zimbabwe)

* Click on the photos to read more about the releases

© Safemuse Organisation - Oslo/Norway

Ghawgha – QAF

15/11/2024

– featuring Anja Lauvdal & Marianna-Sangita A. Røe

Ghawgha Taban (1997) is a singer, songwriter and composer from Afghanistan with a background also from Iran. She started her music career in 2015, and she is not been limited by styles but is interested in development and exploration; from the history of Afghan music to what is happening in today’s music world.

Ghawgha, herself from the Hazara population, a large minority in both Afghanistan and Iran who have been persecuted and subjected to genocide since 1880, and still being oppressed and targeted with brutal political and societal racism. She uses the term “Afran” to refer to herself, a mix of Afghan and Iranian, clarifying a complicated and multi-layered recent history.

The album “Qaf”, which was released in 2024 is not just a musical work; it reflects years of search, observation, and experience. A journey that took Ghawgha from her hometown to unfamiliar lands, traversing the streets where she grew up to the new borders she had to cross in search of a new identity.

“My destination has always been home…”
– Ghawgha

This album began as a personal journey but ultimately became the voice of those who share a similar experience; those who have faced loss and displacement in their quest for a home, and who continue to seek a new meaning for themselves.

Listen to the album here: here

Credits:

Ghawgha: Vocal
Anja Lauvdal: Piano, harmonium, synth, additional vocal
Marianna Sangita A Røe: Percussion, additional vocal
Arrangements: Ghawgha, Anja Lauvdal, Marianna Sangita A Røe
Producer: Anja Lauvdal
Recorded at: Amper Tone Studio
Sound Technician & Mixing: Bård Ingebrigtsen
Mastering: Lasse Marhaug
Cover Design: Kiana Habibi
Production Coordination: LIDIO/ Safemuse
Supported by: Norwegian Arts Council and City of Harstad
Produced by: OK World, in cooperation with LIDIO/ Safemuse

Cris Gera – I Moved On (Single)

02/14/2020

Taking a step into the modern pop scene, Cris Gera follows up last year’s politically significant album “Music In Me” with the single “I Moved On”. Cris continues to create uplifting melodies, while telling a hopeful story of love and what comes after.

Credits

Cris Gera: vocals and mbira
Johan Pettersson: drums
William Nordlund : guitar
Jesper Rangemo: bass
Viktor Fagerlund: keys
Engineer and producer: Viktor Fagerlund
Mixing and mastering: Gustav Afsahi

Music and lyrics: Cris Gera
Recorded at Dalbackavägen Musik & Produktion
Funded and supported by BD POP and LIDIO/Safemuse

Mai Khôi – Dissent – Chem Gio

03/03/2018

Mai Khoi Chem Gio is a trio consisting of Mai Khoi, Quyen Thien Dac and Nguyen Duc Minh. They recorded the album live between 2016 and 2017 during secret performances at Phusa Lab. The resulting work bears the euphoria, courage, failures and threats which characterized this time. As such, it forms the soundtrack to an awakening, replete with heroes, villains, reversals and uneasy resolutions.

Credits:

Mai Khoi: singer, guitar, goong
Quyen Thien Dac: saxophones
Nguyen Duc Minh: traditonal flute, percussion

Music and lyrics: Mai Khoi
Lyrics on Airdone: Benito del Sur
English lyrics and English vocals on Cuffed in freedom: Anna Högberg
Producer, mixing and mastering: Nguyễn Nhat Lý / Phù Sa Lab Studio, Hanoi

Ghawgha – Landless Tree

03/03/2023

Ghawgha Taban (1997) is a singer, songwriter and composer from Afghanistan with a background also from Iran. She started her music career in 2015, and she is not been limited by styles but is interested in development and exploration; from the history of Afghan music to what is happening in today’s music world.

Ghawgha, herself from the Hazara population, a large minority in both Afghanistan and Iran who have been persecuted and subjected to genocide since 1880, and still being oppressed and targeted with brutal political and societal racism. She uses the term “Afran” to refer to herself, a mix of Afghan and Iranian, clarifying a complicated and multi-layered recent history.

The EP is a musical triptych that invites the listener to the experience of younger generations of “Afrans”, as a complex legacy of migrations, destruction and resilience.

On her first EP release, “Landless Tree”, she sings about a “tree without a land”. About migration, destruction and resilience. About an eternally displaced body filled with memories of migration both as a direct personal experience and as a legacy of generations of “Afghan-Iranians” or “Afrans”, conveying frustration, anger and hope.

Read the lyrics here

Credits:

Performers:
Ghawgha Taban – vocal
Anja Lauvdal – piano, harmonium, synth
Morten Qvenild – clavichord, piano, autoharp, Dulcitone, synth
Paal Nilssen-Love – percussion
Gjermund Kolltveit – tree-squeak
Arr: Ghawgha Taban, Anja Lauvdal, Julian Skar, Morten Qvenild

Producers: Anja Lauvdal, Julian Skar, Morten Qvenild
Technician: Morten Qvenild
Studio: Ugla lyd
Mixing/ mastering: Bård Ingebrigtsen
Cover photo: Camilla Norvoll

 

Produced by LIDIO/ Safemuse
– with support from The Audio and Visual Fund (Fond for lyd og bilde) and the City of Harstad.

LIDIO 08/23 – EP BandCamp – Release: 3 March 2023

Hamid Sakhizada – Dai Raft

11/01/2019

Hamid Sakhizada’s release Dai Raft tells the story of ancient instruments and of traditions about to be forgotten. It is songs about love, happiness and sorrow – both traditional melodies from different parts of the Hazara community as well as Hamid’s own compositions.

The highly-regarded musician from Afghanistan has an all-consuming passion for Hazara traditional music and the two-stringed, long-necked lute known in Afghanistan as dambura. Joining him is an impressive group of musicians, each adding their own interpretation and tradition to the mix: Norwegian/Indian violinist and composer Harpreet Bansal, Norwegian percussionist Birger Mistereggen and Iranian percussionist Kaveh Mahmudiyan.

For many years, the Hazara people saw their culture and art being mocked and suppressed, causing their music to slowly fade away. This album is an attempt to bring old traditions alive through new collaborations, interpretations and expressions with help from an all-star team of musicians, Afghan dambora virtuous Hamid Sakhizada brings the Hazara tradition into the 21st century.

Credits:

Hamid Sakhizada: vocals and dambura
Harpreet Bansal: violin
Birger Mistereggen: jew’s harp and rope tensioned drum, percussion
Kaveh Mahmudiyan: tombak, daf and bandir
Producer: Bjørn Andor Drage
Sound technician and mix: Fridtjof Lindeman
Mastering engineer: Audun Strype
Music and lyrics: Hamid Sakhizada/trad.

Recorded at Riksscenen – the Norwegian Hub for Traditional Music and Dance
Supported by Fond for utøvende kunstnere, the Norwegian Arts Council and CREO’s Vederlagsfond
Special thanks to CREO and The Norwegian Society of Composers

 

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Cris Gera – Music In Me

06/12/2019

December 6th 2019 Cris Gera teamed up with LIDIO to release his new album Nziyo Dziri Mandiri (Music In Me). This afro-pop delight continues to reveal Cris Gera’s passion for social justice & for questions that affects people’s daily life.

His music is reflective of his surroundings and everyday life in his home country of Zimbabwe. The album was recorded in South Africa in 2016. The same year Cris infuriated government supporters with the song Chema Zimbabwe – portraying some of the social and economic issues facing his country. Harassment and death threats forced Cris to take refuge in South Africa, later traveling as an ICORN musician to live and work as an artist in residence in Sweden.

Cris Gera brings up a lot of dark issues in his music, relevant, important ones. It makes you think, but through his vision and his sound, through the music in him, we move towards the light. Gera never saw his song as political, but rather as a grieving of the current state of affairs in his country. He says that he is not a revolutionary, but writes music to the people and his children, about life in Zimbabwe.

Credits

Cris Gera: lead vocals
Admire Gatsi: keys and synthesizer
Justin Makweche: keys and synthesizer (Mangwanani, Believe)
Patrick Sita: guitar
Simon Dabi: guitar (Kundinunura)
Praise Nyandimu: backing vocals
Itumeleng Sekhoto: vocals (Mangwanani Sanibonani)
Engineer: Terence Morgan
Master: Audun Strype
Producer: Terence Morgan
Co – producer: Cris Gera

All songs composed and arranged by Cris Gera
Recorded at BlueBlack Productions, Kempton Park, South Africa
All photos by Kaja Crompton Design by Laverne Wyatt

 

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Abazar Hamid – We Need Peace

01/02/2019

Sudanese artist Abazar Hamid teamed up with world-class guitarist Knut Reiersrud, who also produced the record and plays guitar on all five tracks. Abazar Hamid was the first safe haven guest artist in the city of Harstad, Norway. When he now releases a collection of songs about peace and freedom – it is the same songs that forced him to flee his country in the first place. Some of them written during his very last days in Sudan. He calls them “a last call for the Sudanese to reconsolidate and make peace instead of war in the country”. The result is a unique, modern sounding Sudanese blues, driven by Hamids warm tone and Reiersruds exceptional guitar.

Credits

Abazar Hamid: vocal, guitar
Knut Reiersrud: guitars, dobro
Kenneth Hammer: keyboards
Åsmund Wilter Eriksson: bass
Geir Akselsen: drums